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What spaces in your life hold the tension of hardship and relief? In this Poetic Interlude, Atena O. Danner reads “Petit Marronage.”
Creatives, including poets, show us how to embrace our humanity and act on our truths. We in The Rest of Us community view this as a deep connection to one’s own agency — our definition of rest.
Settle into the work of Atena O. Danner and even explore your own creativity, which we define as liberatory rest.
Poem: “Petit Marronage”
In the Caribbean Islands, whole villages of rebels who escaped enslavement known as maroons were founded in the local mountains, developing into small societies. This was known as ‘grand marronage.’ In the United States., circumstances did not allow for such large scale seizure of space, so escapees practiced ‘petit marronage.’ ‘Petit marronage,’ was a kind of resistance practiced as early as the 16th century by enslaved individuals/small groups who would escape for days or weeks and then return themselves to “captivity.”
“I know some of my fellow slaves see me
As I turn an eye toward the woods.
Often it happens between us: seein and just as soon
forgettin. Knowin
Time will come again to glance past each other
when I return and take my place again.
At this moment I am determined to steal away.
I roll a small stone from the well of my jaw
Into the knot of my hand: a seed I kept,
Fit to burst with power.”
Yes I would do it again. Yes, it was a zenith in the long arc of chances taken.
Friendly fascism shut down the elevators and emergency exits, “for everyone’s safety.“ according to the automated voice. Scanning for a way out/up, I pointed to the cleaning lift outside the window.
After side-stepping enforcers in our employer’s carpeted halls, with tangled branches and clattering jars pressed into our straining arms, one by one we stole past the receptionist, out of the window, to pulley-hoist ourselves toward the sky.
On the roof, exposed to open air, twigs in our hair, cheeks burning with thin lacerations, we began to build a spell of protection with our hands under fluorescent search lights trained between our eyes, we broadcast our labor: forbidden creation illegal collective imagination; we built a shelter of story: branch by branch, feather by feather, a shield from shards of falling ice. Yes, I would do it again.
“Birds come and go with the wind
If I had wings, the master
Would surely claim those, too.
For this reason, I chose my own hardship
Hardship is what these white folks won’t abide.
That is why they cling to us
Why they won’t let go.”
Ice-storm-turned-oasis, in that moment uncut honesty was warm bread in our stomachs. Under boughs of oiled wings, we watered the olives and buried the dead as best we could. Each forbidden name uttered: a sun for the seeds of truth in our mouths. Radiant satisfaction softened the wax that bound feathers to our appended limbs, even as we heard the jarring sound of cable snap, flywheel reel and metal on metal on glass. Yes, I would do it again.
“That is why I launch, not by wing,
but by oar in a hidden canoe
To make a neighbor of bears and snakes;
I sink into the Great Dismal.”
The stairway was locked from the inside: only one way down for this little company of Antigone, and quickly: As truth warmed our hearts, so it warmed our wax work. In urgent and faltering rush to the edge, we leapt exhausted in V formation, to ascend on the lift of each other’s melting wings. We hoped the seeds beneath our tongues would be found among the wreckage of our good work.
“Morning found me landed at a hummock
banked to my own body,
Laughing, ‘How about that, maroon?’
Loud as I pleased, laughing with the mosquitoes and birds.
When I knelt to dig a hole in the soft peat
The ground reached up and grabbed ahold of my hand
Held me firm until I let go the seed.”
Reflections
This poem reflects on the relationship between risk and liberatory relief, contrasting speculations of contemporary and historical risk-taking, including a narrative of a maroon resisting enslavement by retreating to hardship of the Great Dismal Swamp.
What spaces in your life hold the tension of hardship and relief?
About the Poet
Atena O. Danner is a cultural worker who imagines Black liberation engaged in boundless curiosity. As a poet, singer, and visual artist, Atena’s work covers topics, including neurodiversity, human connection, and collective liberation. An organizer and activist, Atena works to incorporate struggles for justice into her life as a caregiver while also writing and publishing in journals and anthologies. She is a Roots. Wounds. Words. fellow, an Anaphora Writers Residency fellow, an alum of the Hurston/Wright Writers Week, and of Immersion Writers Africa. Her first book, Incantations for Rest: Poems, Meditations & Other Magic, won a Nautilus Silver Award for poetry in 2023.
WEBSITE: www.atenadannercreative.com
PUBLICATIONS: Incantations for Rest
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Dana Tenille Weekes made the conscious decision to live in a mindset of rest as self-liberation after nearly 15 years as a lawyer-lobbyist in Washington, DC. In 2020, Dana faced the darkest period of her life, which eventually led her to resign from a top global law firm and take a year-long journey of rest in 2022.
In 2023, Dana launched Thrive Architects, a strategic advising and professional development firm building advocacy, organizational health, and well-being platforms for organizations, communities, and people to thrive.
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